One of my favorite ways to create new characters is to simply fill pages with different brush strokes. Then I start fleshing a few out. Here are a couple characters I made using that method. From here, since I’ll be using these guys, I’ll jot down some background notes in my notebook.
These two creepy thugs will populate the prison colony of Grimgoria (working name as it sounds awfully familiar but I can’t place the reference).
Guess I should’ve posted this last week, but I’m in the midst of actual ‘production’ writing on the book. That’s my term for when the real writing starts. I still make notes in my journal, and of course sketches. More sketches later once I get around to scanning them in.
Monday last week began my 2500 word per day quota. That’s roughly fifty pages a week. It’s carry over from my screenwriting schedule so there might be some tweaks here and there. Especially considering a script is usually 18,000-20,000 words. Novels are a wee bit bigger; anywhere from 50,000 to 100,000. I had three chapters (plus the prologue) written before last week, but because of the two children’s books I’m working on, hadn’t committed to cranking out the novel. Well, since there’s a bit of a pause right now on the kid’s books, I couldn’t hold off on the novel any longer.
There’ll be sketches o’plenty as I go along, but I’ll also be writing more about the actual writing. This being my first novel, I’ll be learning a lot along the way and that’s mainly what I’ll jot down here on the blog. Oh and yes, I’ve started some sketching for the actual Conjurers website. The blog will stay but there’s many things I’d like to add. On that note, feel free to fire some suggestions my way about what you like and don’t like about book sites. I certainly don’t want the website to be just a billboard for the book (like many movie sites). I’ll be relying on my internet background to drum up some new and creative things that can be done on a book’s website.
My main goal in all my sites (including dogeatdoug.com ) is to not just promote the product, i.e. a comic strip or a book. Rather I love the idea of building a franchise and not in the McDonald’s sense or just in terms of merchandise. Really the goal is to find new mediums to explore ideas. For the comic strip I’m working on children’s books. That’s one example. But I also want to explore doing fully animated strips on the site. I still have a lot of brainstorming to do on the novel in regards to fleshing out the franchise. Obviously the first priority is writing the book…and re-writing it, and re-writing it again. But I’d love to spin it off into comics too. We shall see. I’m new to this, but the possibilities are dazzling.
Here’s where concept sketches really help. By watching your characters in your head and jotting down a few notes or sketches (as in this case) really helps bring them to life once you get around to plopping them into the novel.
Uncle Mordo is one of the main characters even though he vanishes in the first few chapters. But that brief appearance is critical to pulling the reader in emotionally. By spending some time with him before writing he pops to life in the book.
Today, some more concepts from the sketchbook. The first is of the Darsian Gates. Kind of a intermediate passageway into the Conjurian. It takes a leap of faith to get through (something central to the novel).
These gates are in the Novel. The sketch was a way for me to better picture the scene when writing. The second image is just a random idea. Right now it’s not in the book, but you never know. So many surprises along the way.
These are some new concept sketches for a creature called a Rag-o-Roc. Originally they were large, bulky things with armor skin. But when I reached the part of the book where the first Rag-o-Roc makes it’s appearance, I realized they needed to be scarier but also I needed them to move quick. I wanted something spider-like. Something that gives you the sense you can’t escape it. Much like the creature in Alien.
This is the magic shop from early in the story. Although not a focal point of the novel, it’s critical in setting up many things, including the tone. So when I got to this part I decided to jot down some quick notes and images.
The shop is based on a real magic store I used to visit every Saturday. It was small, secluded, quaint and seemed to be right out of a novel (kind of ironic now). I imagined those visits in order to bring a vibrant reality to the shop in the book. Every smell, site and sound.
But the real store was much more than a reference for my book. I discovered it shortly after college. Before that, I always went to the well known magic store in the city. The kind that ships internationally and does a ton of business on the web. But this store was different. It was special.
The building was plain brick. The kind of storefront your eye ignores when you drive by. A small, engraved wooden sign hung above the door. This store was something right out of that alley in that novel about that wizard kid with the glasses.
But this store reeked of magic. It was jam packed with magical treasures and knowledge. Anytime the biggest names in magic were in the area, this is where they came. Just thinking about the store floods my head with ideas and characters. And a renewed excitement about writing this book.
This is the first concept sketch I’ve done since starting the actual writing. The fun part of writing is the unexpected characters you run into. In my notes, this guy to the left, was just part of a group of shadowy figures gathering for a secret meeting. But once you start writing it certain people just pop out. As did this guy, Christopher Aggler.
The other fun part is watching him “act” while you write. You realize there’s a lot more to this character than meets the eye. I can’t wait to find out what.
Part of the fun of this book is creating the “secrets” behind well known magic tricks. This sketch shows the origins of the famous “Dancing Cane” effect. There have been several methods over the years (one of the best was Copperfield’s).
But in this Novel, those methods where created to hide the truth. And that truth is that dancing canes breed in the wilds of The Conjurian. The canes choose their own masters, which is why not every magician can perform the effect. They also have an excellent sense of direction, aiding many a travelling magician in the old days.
So that’s just one of the many trick/creatures you’ll meet in the Conjurers. Oh, and I have no idea who the guy on the bottom is…yet.
Here’s another initial character sketch I did early on. I’m not to this part of the book yet, so I’m not even sure if this character will show up. Although I’m fairly certain he will in one context or another.
The idea for him is that he is a kind of mayor-figure for the Conjurian. He’s a no frills, by the book leader who believes any deviation from the code of law will spiral the Conjurian into the dark ages. Needless to say he not thrilled when the two main characters show up in his town.
…sorta. This was my first thumbnail sketch for the world of the Conjurian. I’ve been working on a revised sketch and more detailed map. This kind of image really helps in writing the book. It gives you a visual reference of the world your writing about. That in turn helps focus your vision of what’s happening and what things look like.
I’ll post the revised sketch later.
If you couldn’t tell by the title slug, I’ll be discussing the sea of “How to write the next best selling, million dollar screenplay in one afternoon” book out there. First of all, I am by no means an expert on any of this. But this I do know: I’ve become a syndicated cartoonist, written four screenplays and optioned one, and this is my first book and they all have one thing in common. They all took hard work. No magic pills, no secret formulas. No shortcuts.
Now I’m not saying that all these books are useless. There are a few gems out there and even some of the snake-oil salesman books have a couple good tidbits in them. But what’s the difference? Well it’s pretty easy to tell the gems from the fiery bags of crapola: just check the author’s credentials. Simply put, if you haven’t written a bestseller or sold a script for a million dollars, how can you teach someone else to do it? Better yet, wouldn’t you be writing bestsellers and million dollar scripts instead of wasting your time writing about doing it?
So why do so many of these books sell? Simple. It’s the magic pill you see advertised on TV. Don’t like to exercise? No problem, there’s a pill for it. Hell, there’s a pill to replace any activity that might cause you to break a sweat or make you feel uncomfortable or might just take up time. Hand over your $100 or whatever and get your magic pill.
Now before you toss me off the negativity cliff, there are a lot of useful books out there on writing. Many have to do with organizational skills or time management. The real gems are the ones written by those who have done it. And the mother of all gems for writers is “On Writing” by Stephen King. I’m sure a lot of people were excited to get their hands on this one. All the secrets behind King’s success. And I’m sure many were disappointed to learn the secret was just good ol’ hard work. It’s that kind of epiphany that keeps the aspiring novelist herd sparse.
But if you’re really dedicated to writing and you know you have it in you, the book is a treasure. You realize that your not alone in the blazing fifth circle of hell (which technically is owned by lawyers but they sub-lease it as a writers’ co-op). You learn quickly that it doesn’t always come easy to the best of the best.
To sum up I’ve altered an old cliche: Those that can do, those that can’t teach. But there are a rare few who can, and do, and choose to teach. These are the ones you must seek out and learn from. Stephen King was just nice enough to chuck it all into one book for ya.
Enough ranting for now. More artwork tomorrow.
Here’s an older character sketch I did awhile ago. While browsing through some of my old sketchbooks, this one struck a chord for a character in The Conjurers.
The cool thing is that the character, up till seeing this drawing, was just floating around in the imaginative ether. I had jotted down some notes about him, but nothing concrete. This drawing sparked some life into the character and instantly told me so much more about him. Can’t wait till he shows up in the book.