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Quick Q&A over at Jetpens.com

Pen Pals Interview Dog Eat Doug Webcomic Artist Brian Anderson – JetPens.com

No secret by now that 99% of my drawing supplies come from jetpens.com. That 99% does include every pen I use. They were kind enough to post a small interview. Leave ‘em a comment and tell them what they think. Or what you think about my answers. Or general statements regarding puppetry and Tesla’s squirrel training manual. Your choice.

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Monster Chefs by Brian  Anderson

Monster Chefs

by Brian Anderson

Giveaway ends October 31, 2014.

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Working without panels

image

Quick peek at some art from page 40 of the webcomic. For this project I have to work fast and small. Usually on letter size paper. And fast. Did I mention fast?

One draw back: after a time, I tend to suffocate my work under those constraints. Panels become flat, emotionless. So, to break out of that, I draw the shots and scenes on larger paper. Let my hand move further, wilder. That lets me work fast and punch in some emotion.

After the shots are drawn, I’ll composite them in photoshop in their letter sized pixel cell.

Cover Process for Book One

cover_process_screengrab

Inking the cover for book one. I’m trying to keep my line art thin and clean. Once I had the rough layout, it took a bit of mind twisting to decide on a final style. I don’t want it coming off as overly comic bookish and at the same time I didn’t want to do a full on painted piece. Mostly because it’s not my strength and also, I didn’t want to stray to far from the interior art.

So here is the beginnings of some clean inking. Already made a color guide so that part shouldn’t be as challenging as it normally is for me.

 

First Drafts

The Conjurers Book One, first draft

The Conjurers Book One, first draft

So this is what a first draft looks like. At least the hand scribbled part. After the notebooks, I transcribe it all in to the computer, cutting and patching bits as I go. Then I give it one more look, jotting down a few notes of things that need renovating and it’s off to my editor.

There’s lot’s more to be done. Rewrites, cover art and interior art. All of which I am greatly looking forward to.

Burning through Moleskines

Time to open a new notebook. A fresh, Hobbit Moleskine. For the most part I'm writing this novel longhand. Means quite the workout for the Lamy. The advantage to pen and paper is the ability to write anywhere, anytime. Gotten used to that over the years. This also means a chance for some chunky editing when I transcribe the words into the computer. I used to try avoiding the whole transcribing process. Save time. But really, it's a huge advantage. Mainly, by not getting into the habit of having to sit at the laptop to work, I can squeeze a lot more words out of the day.